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Bill Wilbur was born, as many of us were, a very young child. The hospital was in Connecticut, and so were his parents, which made it convenient. Until the age of seven, he grew up in a small Massachusetts town called Middleboro. He had a better than average childhood with very little money spending days playing with his friends, picking berries, and generally finding mischief wherever he could. Only once were the police involved, and that after he wandered too far from home for too long.
Bill's parents moved his family west to California in 1972, and driving across this great country of ours, he fell in love with the empty, wide spaces of the west. He could imagine John Wayne and his pals riding the plains, and from then on, was in love with the elusive mistress known as the west.
He began writing in junior high, which is now called middle school, and won a few school contests. Each day he grew a day older, and published many short stories ranging from mainstream to westerns and everything in between.
After working as a fry cook, a banker, a limo driver, and a photographer, he began writing Saragosa for his father, who was the first real cowboy Bill ever knew, and his love of Louis L'amour novels inspired Bill to write a western. The sequel, Balacera, only half completed, has already been picked up for publication and will be published sometime in 2011. Negotiations for the film rights have already begun. But westerns are not all he writes, and his new novel, The Skylark Chronicles, a tender coming of age story, is scheduled for publication in 2011.
Kid Bolero is a gunslinger whose exploits were widely read in dime novels--and he is Rally Yates's best friend. When a sheriff tries to talk Kid into taking on the mean knife-fighter Yancey Calloway, Kid thinks it might make a fine story. But Rally smells trouble.
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Who most influenced your writing process, style, or technique?
There are many authors that influenced me from a young age. When I find a writer whose voice
feels alive to me, feels honest and true, I study them no matter the genre. Harper Lee who taught me honesty,
Stephen King who taught me to love my characters, Anne Tyler and Alice Hoffman who taught me that words can be
lyrical, Glendon Swarthout who told the truth in his fiction, E. Ervin Tibbs who taught me to trust my characters to lead
the way, and a hundred others have inspired me to be honest in my own voice. But the people most responsible for my
voice are my parents, and not just in a biological way.
How did it feel the first time you heard someone else read one of your stories? Did you discover
anything about your story that surprised you in the reader's interpretation? And was that a good or a
distressing thing?
Hearing someone else's interpretation was at once, nerve-wracking and exhilarating! Much
like having a film produced from your work (which I have), you resign yourself to the fact that you left your vision
on the page, and now it has a life of its own. I love to hear my voice in a different cadence and to see my works
visualized on the screen.
What role does memory play in your writing?
Memory figures largely in everything I write. As a writer, I pull from all of my life's experiences
to tell a convincing story. I try to tell things as they should have happened.
What book/story are you recommending now?
"Sunset Tomorrow," by E. Ervin Tibbs. You won't find a more
beautiful and heartfell book. Tell Mr. Tibbs I said hello!
Who do you think is one of the most under-appreciated writers of today, one we should all be reading?
Laurie Halse-Anderson. Her novel, "Speak," blew me away, it is
far and away one of the best novels you'll ever read and she only gets better.
If you could read only one book this year, what book would you choose?
"To Kill a Mockingbird"...yes, again. I have re-read it every year for
the last thirty years.
What is the funniest/strangest thing you've ever been asked at a book signing?
I was once asked if writing was a good way to meet chicks! I met my wife in a writing class, so the
answer is YES!
Has a review of your work ever changed your own perception of your work?
Though most reviews thus far have been positive, no review has ever changed my perception of my own
work, though they have opened my eyes to the way others perceive my word choices and themes. With each review,
I learn something that helps me become a better storyteller, and that is the whole point after all!
How does the reality of being a published author differ from the dream?
The reality is that I have not been able to retire and write full time while buckets of money and
tons of adoring fans show up at my front door. But I am ever hopeful!
What was your first published work, and what did you do to celebrate it?
My first published story was a Christmas love story to my parents. It was called
"The Gift," and was published in a local give-away paper. Perhaps it can
find a new home here at Sniplits!
